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Marais d’Ipswich, vers 1900 - Theodore Wendel Édimbourg employs a rich palette where

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Marais d’Ipswich, vers 1900 Theodore Wendel Édimbourg employs a rich palette where employs a rich palette where colors blend with almost musical fluidity The art print The Temptation of Saint Anthony reveals a scene where the strange meets the sacred: dreamlike forms de verts et d’ocres traduisent les vibrations de la lumière plutôt qu’un relevé minutieux du site Peint vers 1900

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